In the 1970s, Lucy R. Lippard, author of the highly original and popular Mixed Blessings, merged her art-world concerns with those of the then-fledgling womens movement.In a career that spans sixteen books and scores of articles, catalogs, and essays on art, political activism, feminism, and multiculturalism, her engaging and provocative writings have heralded a new way.
Jarrett Earnest (Rail): When did you first realize you wanted to be a writer? Lucy Lippard: When I was around twelve. Before that I wanted to be a professional rider—because I was horse-crazy and worked at a stable.I didn’t have a horse, but I imagined I had a horse. Then I thought, No, maybe I want to be a writer, not a rider.(Laughter.)My mother was a great reader and there were always.I first learned of her work from “Louise Bourgeois: From the Inside Out,” an essay by Lucy Lippard in her 1976 collection of essays on women artists, From the Center: Feminist Essays on Women’s Art. At the time, Lippard’s essay was first published in Artforum in 1975, Bourgeois was 64 years old.Series 5: The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and date from the 1930s to 2007.
Guide to the Lucy R. Lippard Collection at the New Mexico Museum of Art Library and Archives Prepared by Jessica Bitely, September 2009 Revised by Sarah Siske, Spring 2010 Last updated by Rebecca Potance Extent: 13.16 linear feet Scope and Content The Lucy R. Lippard Collection is comprised of materials donated by Lucy R. Lippard to.
Why are we still afraid of being other than men? Women are. - Lucy R. Lippard quotes at AZquotes.com.
Lucy Lippard, Linda Montano. From the Center: Feminist Essays on Women’s Art by Lucy R. Lippard (A Linda Montano Chicken Book) 1 of 1.
Ed Beem agreed with Lucy Lippard and Natasha Mayers, who wanted a dual byline, that it would be enough to explain in a footnote that Lippard was the primary author and Mayers was the primary source. In the end, that is what we have decided to do. The authors wish to thank the Quimby Family Foundation for underwriting this essay.
Printed Matter, Inc. is an independent 501(c)(3) non-profit organization founded in 1976 by artists and art workers with the mission to foster the appreciation, dissemination, and understanding of artists' books and other artists' publications.
Lucy Lippard, Six Years (1997) Starting with Lippard herself, there is Six Years, the 1973 seminal, long-subtitled work that drew attention to Hans Haacke’s Wind in Water (1967) and other conceptual and environmental art. And then came Doug Beube’s pieces from the 80s and later such as Organic and The Chair of Censorship.
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Transcript Preface. The following oral history transcript is the result of a recorded interview with Lucy Lippard on 2011 March 15. The interview took place at Lippard's home in Galisteo, N.M., and was conducted by Sue Heinemann for the Archives of American Art, Smithsonian Institution.
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Partial Recall: With Essays on Photographs of Native North Americans. Lippard, Lucy R., editor. Preface by Leslie Marmon Silko. Essays by Jimmie Durham, Joy Harjo, David Seals, Jaune Quick-To-See Smith, Gerald Vizenor, et al.
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Essays accompanying the photographs are written by Lucy Lippard and Diana Block. Lovell’s BFA is from the Cooper Union School of Art, and he has studied in Italy, France, and Spain. His works have been shown in such places as the Bronx, Queens and Jersey City Museums, D.C. Moore Gallery, Greg Art Gallery, and Artists Space in the New York area.